Frames and supports in 15th and 16th-century Southern Netherlandish painting

CHAPTER VII 140 · The same joint (a) can also be associated on top with simplified slotted joints, cut square on both faces (fig. 19: 15) We found 9 cases of this joint: Bruges, SJH , no. 13 (Anonymous, wings with St Wilgefortis and St John the Baptist ); Brussels, RMFAB , no. 11 (Jan Provoost, Triptych of Van Riebeke-Parmentier ; in this case: slotted mortises with square cuts at the top of the wings only); Bruges, SJH , no. 15 (Anonymous, Triptych of the Adoration of the Magi ); Antwerp, M VB , no. 15 (Ambrosius Benson or workshop?, Triptych with the Battle of Clavijo ); Bruges, OLPM , no. 6 (Anonymous, Triptych of the Crucifixion ); Bruges, SJH , no. 16 (Bruges Anonymous, Triptych of the Holy Trinity with Donatrix and St Justus ); Bruges, OLPM , no. 4 (Anonymous, Triptych of the Crucifixion ); Bruges, GM , no. 22 (Pieter Claeissens the Elder, Tripytch of the Salamanca Crucifixion ); Brussels, RMFAB , no. 30 (attributed to Antoon Claeissens, Triptych of Ontañeda de Hertoghe ). · Variant of the slotted joint: mitring on both faces (fig. 19: 14 ) This variant was found in 2 cases: Brussels, RMFAB , no. 25 (Anonymous, Portrait of the Donatrix Jacomijne Huioels ); Kuringen, HA , no. 1 (Anonymous, The Miracle of the Holy Sacrament ).