Frames and supports in 15th and 16th-century Southern Netherlandish painting

CHAPTER VII 138 4. Zanzu 1992, 43, quoted from Bücken and Steyaert 2013, 31. A Brussels mark was found on an integral frame: Anonymous, Virgin and Child (Brussels, Royal Museum of Fine Arts of Belgium, inv. no. 9735); in a final case, the Brussels mark has been noted, but not the joints associated with it: Master of the Embroidered Foliage (Group) – Master of the Grog Madonna, Clement VII Triptych (Cagliari, Museo del Duomo). 4 3. Slotted joints · Slotted joint, mitred at the front, with floating at the back (fig. 19: 18 ) We found this joint in 34 cases: Antwerp, RMFA , no. 6 (Master of the Guild of St George, Members of the Mechelen Guild of Crossbowmen with their Patron , St George and Two Saints ); Antwerp, MVB , no. 6 (Master of the Magdalen Legend, Triptych with Virgin and Child ); Leuven, MM , no. 3 (Anonymous, Christ on the Cross ); Brussels, RMFAB , no. 15 (Antwerp Anonymous (entourage of Joos van Cleve), Lactation of St Bernard ); Antwerp, MVB , no. 12 (follower of the Master of 1518, Triptych of the Adoration of the Magi ); Ghent, CM , no. 2 (after Pieter Coecke van Aelst, Triptych of the Adoration of the Magi ); Leuven, MM , no. 6 (Antwerp Anonymous, Triptych of the Adoration of the Magi ); Bruges, GM , no. 11 (Ambrosius Benson, Virgin and Child ); Brussels, RMFAB , no. 18 (Master of the Brussels Epiphany, Triptych of the Epiphany ); Brussels, RMFAB , no. 24 (Jan II van Coninxloo, Triptych of the St Anne Legend ); Brussels, RMFAB , no. 23 (Jan Cornelisz Vermeyen, Triptych of the Micault Family ); Brussels, RMFAB , no. 13 (Pieter Coecke van Aelst, Adoration of the Magi ); Bruges, GM , no. 15 (Ambrosius Benson, Triptych of the Virgin and Child ); Brussels, RMFAB , no. 20 (Bruges Anonymous, Portrait of a Young Woman as Mary Magdalen ); Leuven, MM , no. 7 (Anonymous, Ecce Homo ); Bruges, GM , no. 18 (Bruges Anonymous, wings with St Josse and St Peter ); Bruges, OLPM , no. 7 (Anonymous, Triptych of the Last Supper ); Antwerp, MVB , no. 16 (Willem Benson (?), Angel Playing the Harp ); Bruges, GM , no. 21 (Bruges Anonymous, The Healing of the Woman with a Flow of Blood ); Brussels, RMFAB , no. 29 (Joachim Beuckelaer, Fair Day ); Leuven, MM , no. 9 (Anonymous, Triptych of the Descent from the Cross ); Bruges, GM , no. 23 (Jacob van den Coornhuuse, Last Judgement ); Bruges, GM , no. 25 (Anonymous, Protestant Family at Table ); Bruges, OLPM , no. 8 (Anonymous, Triptych of the Virgin and Child ); Bruges, SJH , no. 21 (Pieter Claeissens the Younger, Carrying of the Cross ); Leuven, MM , no. 10 (Anonymous, pair of wings with St Nicholas of Myra and Donor ); Bruges, GM , no. 26 (Bruges Anonymous, Genealogy of Philippe de Cortewille ); Bruges, SJH , no. 20 (Anonymous, Adoration of the Magi ); PC, no. 2 (Anonymous, Our Lady of Grace of Cambrai ); Brussels, RMFAB , no. 32 (Antoon Claeissens, Triptych of the Life of St John the Baptist ); Leuven, MM , no. 13 (attributed to Frans Francken II, Crucifixion ); Tongeren, MC , no. 2; Leuven, MM , no. 11 (Anonymous, Coat of Arms with St Gertrude ); Bruges, OLPM , no. 9 (Anonymous, Triptych of the Adoration of the Magi );